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As tastes in music became more diverse, it was at the rim of mid ’80s, late ’80s and the early ’90s, when heavy metal and hard rock became the up-to-the-minute element. Sumon of Aurthohin best describes the era of metal music: “It was around 1986 when there was no other mainstream band other than Miles presenting hard rock in Dhaka. One fine day my elder brother came home and announced that there was a band, which was performing songs of Iron Maiden. It was very difficult to believe. But then I witnessed it myself in the next concert.It was mind blowing to see them covering several numbers of Iron Maiden and they did very well indeed! The band was called Rock Strata followed by another big gun Warfaze. Those were the top metal bands along with In Dhaka, Aces and Sweet Venom. The venues for such events would be Hotel Pan Pacific Sonargaon Ballroom, Engineering Institute Auditorium, Shishu Academy and many more. All the tickets used to be sold-out and it was then that we realised that the good days had started for us. In one such concert, the guitarist for Sweet Venom--Ditio, was playing You Shook Me All Night Long of AC/DC and as the song streamed into the guitar solo part, he took his guitar on his shoulder, playing the lead in that position. It was amazing! For the first time in Bangladesh, we saw this kind of rock stunt. That was the golden era of heavy metal music. We used to enjoy the songs of Metallica, Megadeth, Malmstein and Helloween in the gigs.” Soon, the heavy metal bands were getting record deals and the idea of a 'mixed album' was a high tide for rock.
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The early ’90s proved to be a blast for the heavy metal scene. “Mixed album Hooray was back then a huge inspiration and boost for many celebrated bands from today”, remarked Shakib of Cryptic Fate. Followed by mega-hit albums of Warfaze and Rock Strata, the scene could not get any better. Record label Sargam made the first move initiating the first array of metal albums. If it was not Sargam helping them, maybe it would have taken ages for the present scene to flourish with full potential. They led the way in fusing something new into existing traditional band music culture. Around that time there were whispers of another band doing heavy melody -influenced rock songs that had that larger than life sound, later resulting in to two consecutive hit albums. Winning was the name on everyone's lips as long as their music was alive. However, their road to fame was stalled as the members of these pioneering rock groups left for abroad for higher studies. Suddenly all the bands broke up. But by then the pioneers had already inspired those remaining in the country and soon new groups like Rock Phantom and Rock Brigade arrived. Eventually both Brigade and Phantom also broke up. The scene went into hibernation.
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It was from mid ’80s to early ’90s that hard rock started getting immensely popular. With the likes of LRB, Feelings and Ark, the definition of rock became more versatile to the listeners. The primary cause of this, aside from the likes of Ayub Bacchu and James releasing their first solo albums, was the popularity of Feedback's album Mela. Everywhere one went in the troubled years of 1991-2, one would hear Maqsoodul Huq's immortal refrain: "Bashonti rong shari pore lolonara hete jaye". While Feelings were fusing rock with a psychedelic blues progression, Feedback, LRB and Ark were more into mainstream pop/rock. At that juncture as well, their music became instant hits giving superb audible pleasure. The release of Miles, Feedback, LRB gave tremendous hit albums wowing the audiences. One could easily experience the impact of Chad tara, Dorodia by Miles; Moushumi1&2, Majhi by Feedback and heavy metal songs like Ekti cheley. They were a bit later followed by Madhobi by LRB and around mid ’90s by the sudden title changes, Jail thekey bolchi--the songs became instant hits. Playing them during national holidays and after Eid Namaz congregations just portrayed the immense popularity of these mind-blowing songs.
Stylishly longhaired James--overwhelmingly known as the Nagar Baul (the City Bard), was the pioneer of psychedelic rock in our scene. Originally a lead singer and guitarist, he has always been respected for his solo projects. His prence in rock music has been prolonged; his influence on those of successive generations has been profound. Something fresh was there--the audience could feel it. He became affectionately called Guru by his innumerable fans. His tunes were bright and his singing a divergence from the archetypal tunes preferred by the commercial-type directors. His songs expressed love, rage, discontent, frustration and happiness. Although debuted around 1981, it was in ’94, with Jail thekey bolchi album and later two songs from the mixed album Shakti that depicted one of the most versatile vocalists of our generation--he started growing to be the second Guru, after Azam Khan, of today.
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Formed in 1990, it has been almost 14 years since LRB captured music headlines in our country's media. Ayub Bachhu mastered the art of assembling catchy tunes and released a huge array of hit albums within short durations. Bringing out a double album as a debut band around mid '92 was not only brave but gave rise to numerous hit songs.
He is now prized with the status of "one of the best guitarists of Bangladesh". Although his music was pure magnetism around the early and mid ’90s, the icon now, seemed to be drifting from less original rock and more commercial music. Due to music being his sole resource of earning, he tried to emphasise on what common people wanted although his roots belonged to rock. LRB is the first ever band group to play one of the most exclusive UNPLUGGED concerts live in a city restaurant. As the gig was a hit, the album recorded afterwards became a bigger success on release.
Later, around 1993, we heard of the rise of metal bands such as Cryptic Fate, Maestria, Dethrow, PsychoDeth and Jolly Roger. These bands used to perform great underground shows with frequent performances during 97 and it was in 1998 that Koprophilia, Clovermind and Spanking Monkeys from the alternative side came into existence.Suddenly most of the bands broke up again. Only Cryptic Fate survived! In addition, it was in 1995 that Cryptic Fate dared to dream and turn it into reality. The release of the first ever metal compilation in English "Ends Are Forever" was launched. It not only became a milestone but portrayed great courage a band could demonstrate.
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Around 1999, some bands came in the music scenario. Artcell (ex-Tantrik), Metal Maze and Migraine, Black, Wire, Nemesis, The Attempted Band and the very popular rock influenced folk fusion group of today Bangla, with some more bands surfacing. It was the beginning of a new definition of Rock and the Alternative music revolution in Bangladesh. Cryptic Fate was there too (fighting all the way through when others failed to continue), along with a new face. The Watson Brothers members of Cryptic Fate and The Attempted Band joined in one of the few pioneering 'side projects' and hence the theme got introduced. Sumon also formed Aurthohin--the first ever funk influenced progressive rock group in the country. Although the band was new, the members were not. Sumon was just free enough, leaving Warfaze along with Piklu from Rockstrata (after the band broke up) and Jolly Roger tagged along to start the same journey under a new name--Aurthohin. The band finally met its heart and soul. "Most of these bands started staging the underground gigs again. An open-air concert was held at Raowa Club ground and suddenly G-Series (one of the largest record labels of our country) took a very brave step. They released an almost-metal compilation comprised of these new bands, known as Charpotro arranged by Duray," stated Sumon. The musicians found an amazing similarity with the early 90's release of Hooray with the new mixed compilation. The release of the CD sparked an uprising among the other bands. It was a re-incarnation of the early ’90s rock music revolution when mixed album Charpotro was launched in 2001. Time had changed a lot within that long break and everyone wished that the mount-up would not fade away like before.
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From the release of Charpotro in 2001 onwards, many people term the period of a 'rock music rebellion'. The music admirers know what they deserve, not allowing commercial bands to have domination among the enthusiasts anymore. Whether your band is good or not, depends on the ultimate testing ground--the rock music market and the shows. Army Stadium, Womens Complex are the most popular open-air venues to host a capacity of around 30,000 to 50,000 crowd. While Shishu Academy, Engineering Institute, Russian Cultural Centre Auditoriums up to restaurant hall rooms and Dhaka Billiard Centre (DBC) are indoor locations staging underground concerts mainly with fewer big names as well. They start with 350 and almost race up-to a crowd of 1500 maximum. As soon as the lighting flashes and the sound system is properly set, a good concert is ready to roll.
The Army Stadium is one of those esteemed venues, which hold 'history' in a showcase. In Bangladesh, Pepsi provided a much needed platform to musicians and to its younger consumers. A tribute to the rock legends was rewarded through the concert 'Rock Fest' in 2001.The bands played all time favourite English numbers of the rock icons. Coca-Cola sponsored few of the many hit concerts as well. Benson & Hedges tried a similar sort of endeavour with its Star Search Contest. Continued... Page [3]
Author and Courtesy:
Faizul A Tanim
& The Daily Star
Edited by Nahidul Haq
